blame it on the shame

The media love anniversaries.

That will become all too clear in a few days, as we approach the 50th anniversary of the death of JFK. Meanwhile, America is gearing up for celebrations early next year of the 50th anniversary of Beatlemania in North America. Of course, Canadians know Beatlemania actually arrived on this continent in late 1963, weeks before Americans got the urge to hold the group’s collective hand — but that’s our little secret. Meanwhile, the year has seen events and celebrations to mark 50 years since the March on Washington, 40 years since Billie Jean King walloped Bobby Riggs, 100 years of Stravinsky’s seminal Rite of Spring and of course the 200th anniversary of the War of 1813. Continue reading

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too shy

Shortly before 2:30 p.m. yesterday I received the following news release, courtesy of our friends at Life or Death PR in Brooklyn: Continue reading

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raising funds and coping with loss

We’re entering the final weekend of CKCU‘s annual funding drive and as I write this the community radio station is about $25,000 shy of its $127,000 goal.

Indeed, as I begin to write this I am sitting idly in the phone room at the CKCU office, writing rather than answering calls. I hope to be called away many times before I complete this entry. Continue reading

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brushes with greatness: chapter 5

Our story today begins with the announcement of the entertainment lineup for the Central Canada Exhibition. SuperEX.

You remember SuperEX. It’s the annual event that for 123 years was a highlight of summer in Ottawa — one of the city’s defining celebrations. Only two things managed to keep the Ex from happening: the Second World War and apathy. When, in 2010, it was announced that SuperEX would be no more, proud locals responded as one with a shrug of the shoulders. Over a century of tradition, you say? Well, it doesn’t affect me. Besides, those oppressed Glebeites had for years resented the fact that no sooner had they moved into a quiet, upscale neighbourhood than a noisy summer festival that had been going on for a century or so, caused mild mayhem a few blocks away. So good riddance.

But I digress. (Frequently.)

The news release trumpets SuperEX’s free concert series, to be held as usual at the Civic Centre and to feature as usual the level of talent one might expect of a SuperEX free concert series — yer array of April Wines and tribute bands and talent-show runners-up. And, according to this, Violent Femmes.

I’m sorry. Does that say Violent Femmes? At SuperEX? Continue reading

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Arcade Fire called before Senate

Payback.

Universal Music and Arcade Fire have spent months building anticipation. A single, dense with intriguing words and music, left us wanting more. Surprise performances and interviews on all the right talk shows made the band impossible to dodge. Hype like we haven’t seen since Chinese Democracy — and you know how well that turned out — was fully engaged. (OK, let’s say hype not seen since last year’s Bowie album, which for 24 hours was hailed as the most important recording ever released by anyone ever. That, of course, was before fans and critics had given it a proper listen. Subsequently, all agreed it should never be mentioned again.)

We’ve now had Reflektor in our hands for over 24 hours. And it’s still being talked about. That’s a long time in today’s media world. Ramped-up hype? Check. Copies of the album in every shop window and saturating every hip radio station? Check. Backlash fueled by critics with a chip on their collective shoulder? You know it. All is well with the grand plan to make this Arcade Fire’s supreme moment.

But for one thing. Continue reading

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