Snow Moon and all

I have too many CDs.

Recently, I did what I consider to be an especially brutal cull, forsaking sentiment in the name of tossing some long-forgotten discs in the trash, bringing others to the Sally Ann and arranging still more in coffin-like shoeboxes destined for the basement, lest there should one day be a need for those Patti Smith bootlegs or Rivers Cuomo demos. The idea was to leave the office — the storeroom for CDs of note — with only discs of value. Things I could conceivably listen to, were I to listen to CDs anytime soon.

So when singer and songwriter Megan Hamilton got in touch recently about her long-overdue return to recording, I briefly wondered whether her three charming previous releases had made the cut.

I need not have worried. her discs were safely within reach, right there between Herbie Hancock and Merle Haggard. (Evidently, Pete Ham and John Hammond were less fortunate.) Continue reading

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fashion’s coming out(aouais) party

It’s a bit too much like one of those old jokes about our city.

Did you hear about Ottawa Fashion Week?

It’s three days long and takes place in Gatineau. Continue reading

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opportunity for advancement

I’ve already legitimized the offspring of one celebrity in recent weeks, by writing of the controversy surrounding his latest hit. I will not mention the name of the young second-generation star that has this month dominated headlines, on the platform heels of a controversial appearance on some music awards show or other. I will not weigh in on the overweight discussion, but allow me to say in her defense that no amount of crass voyeuristic sensationalism can possibly inflict as much damage to contemporary popular culture as her dad did with a single song.

Which I will also not mention by name. Apologies, though, for putting it in your head. I’ll admit that’s rather cruel. Continue reading

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this note’s for you

So you want to be a rock and roll star. But you don’t have time to learn how to play.

Not a problem Becoming a guitar hero can be as simple as striking a pose and hitting the right note. And by the right note, I’m talking a single note, played repeatedly and forcefully. If the note is right, your ascendance to guitar-godness is a mere matter of marketing. After all, few guitarists (if any) can aspire to the greatness that is, say, the solo in Lou Christie’s Lightnin’ Strikes — in its way, the wildest guitar solo in the history of pop music — there is much to be said for the virtue of restraint. Even in rock and roll. Continue reading

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hello Emmylou, goodbye Robyn

Damn you, Emmylou!

I had it all planned out for Friday. Sort of. To be sure, it was inconvenient for Folkfest to schedule the great pairing of Emmylou Harris and Rodney Crowell opposite the great solo act that is Robyn Hitchcock. But Emmylou was given a 30-minute headstart. Simple, then: watch 25 minutes or so of Emmylou and Rodney, then high-tail it to the nearest stage to catch the Soft Boy himself, telling tales and singing of fish and reptiles.

At 8:15 p.m., Harris, Crowell and their hot band sauntered onto the stage and launched into a disarming version of Return of the Grievous Angel, the two old friends harmonizing to make Gram proud. Next up was a lovely version of the Burritos’ Wheels. Third song: Emmylou’s evocative arrangement of Townes Van Zandt’s classic story-song Pancho and Lefty. Continue reading

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